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    Showmag.com

    Showmag.com

    Serving the Greater Los Angeles Area theater community since 1998
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    Cain, Jennings, Henley. Photo by Craig Schwartz.

    An Explosive Masterpiece at A Noise Within

    Leigh Kennicott 26 April
    2 minutes

    Whether or not August Wilson set out to pen an exact rendition of Greek tragedy King Hedley II, his 1980s play in a 10-play cycle on Black life in the […]

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    Prentice, Khan. Photo courtesy Road Theatre.

    Note to Actors: You Have Nothing to Worry About

    Leigh Kennicott 18 April
    2 minutes

    The Road Theatre inaugurates its latest season with two plays, High Maintenance by Peter Ritt and later, Singularities by Laura Stribling, in repertory. First up, High Maintenance pits a disgraced actress, Laura Miller (Ivy Khan), playing Nora, […]

    Theater
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    Faithless–But, What Happens When You Find It.

    Leigh Kennicott 18 March
    2 minutes

    I don’t know about you, but my favorite discussion topics are Religion and Politics.  However, I was brought up that these were topics to be avoided.  Now, The Victory Theatre Center’s resident […]

    Theater
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    Bottitta, Keleher. Photo by Jenny Graham.

    Fatherland! It’s Almost Like Being There

    Leigh Kennicott 1 March
    2 minutes

    If somehow you missed any of the hullaballoo surrounding the march on the Capital on January 6, Fatherland at the Fountain Theatre provides a harrowing recap, helmed by Artistic Director, Stephen […]

    Theater
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    Photo by Jenny Graham

    Shakespeare’s The Winter’s Tale Provides Double the Fun

    Leigh Kennicott 25 February
    2 minutes

    One of Shakespeare’s later plays, The Winter’s Tale has always been considered a problem play because it has two distinct but related plots.  But Antaeus Theatre’s new production solves this problem, […]

    Theater
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    Clabby, Petrovic, Mullen. Photo by Eric Keitel.

    Be Afraid–Be Very Afraid of Strangers on a Train

    Leigh Kennicott 29 January
    2 minutes

    For many people, the title of this play may seem vaguely familiar.  In fact, the Patricia Highsmith novel was adapted in 1951 as a hard-hitting noir film directed by none other […]

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