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La Boheme

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Just in time for the holidays, Pacific Opera Project (POP) has revived their unique take on Puccini’s La Boheme, which they subtitle, The Hipsters. As you can probably guess, the production has been updated. Updating Boheme is hardly innovative. Baz Lurhmann brought his eye-popping visual sense to a glamorous 50’s interpretation and, of course, the Boheme-inspired Rent infused its bohemians with a contemporary sound and many more dramatic threads than the famously concise Puccini would ever have countenanced.


What the Butler Saw

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In the 60s and 70s, wonderfully daring theatrical productions chock-a-block full of overt sex, drugs, and anti-authoritarianism emerged in America, Western Europe, and, finally, globally. Audiences were shocked and even offended, but many were appreciative that the sanitized 50s were finally over.



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Our thirty-second president, Franklin Delano Roosevelt, was elected to serve as the country's chief executive four times (the only one to serve more than two terms in that office). During his twelve-year tenure, Roosevelt guided the nation through the Great Depression and World War Two. He is considered to be among the greatest of U.S. presidents – the Lincoln of the twentieth century.


Handle with Care

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Up until the mid-60's small cast comedies were an important part of the Broadway economy. These shows could run for a season and make a tidy profit for the investors. As the cost of producing on Broadway rose and multi-year runs became necessary to return an investment, the smaller plays moved to Off-Broadway and regional theaters.


Doctor Faustus

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In spite of, or perhaps because of, his short life, Christopher Marlowe lives on as a particularly intriguing Elizabethan enigma. The verifiable facts are few. The speculation surrounding his life and violent death is legion. Was he a godless atheist? A secret Catholic? A proto-James Bond in the service of Queen Elizabeth? A lover of boys? The actual author of Shakespeare's plays? These, and other theories, have been argued over the centuries.


Flare Path

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Terence Rattigan is a notable, but now largely forgotten, British dramatist whose heyday was in the mid-twentieth century. Author of such celebrated scripts as The Browning Version (1948) and Separate Tables (1954), one of Rattigan's lesser known plays is Flare Path, written in 1941 and now in a tip-top staging under the detailed direction of Bruce Gray, at Beverly Hills' Theatre 40.

It is an absorbing story of life and love in Great Britain during World War II. The setting is the Falcon Hotel in Lincolnshire on the east coast of England. The time is 1940, and Britain is under siege by the German air force, known as the Luftwaffe.



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Pornography and philanthropy make for deliberately uneasy bedfellows in the West Coast premiere of Andrew Hinderaker's compelling play, Dirty. Witty, adult, and slightly dangerous, Hinderaker seems to have mastered the Shavian art of making ideas and ethical debate dramatically effective.


Plan 9 From Outer Space

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Scripted and directed in1959 by the notoriously bad film maker Ed Wood, Plan 9 from Outer Space was originally titled Grave Robbers from Outer Space. Now the hammy conceit of Plan 9 is being sublimated into a wacky satire, live and onstage, at Fullerton's marvelous Maverick Theater.



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Combining Henry Purcell's miniature baroque gem, Dido and Aeneas with Bela Bartok's 20th Century primal scream, Bluebeard's Castle seems rather incongruous. Despite their musical importance, neither is frequently seen on operatic stages because their length requires that they be paired with another piece. While there are a number of other short 20th Century operas which have been successfully paired with Bluebeard, Dido is essentially sui generis.



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Acts of diplomacy are more difficult and complicated than the uttered word might suggest. At the international level, protocols and promises are colored and contoured via language barriers, cultural differences, and the interpersonal politics of petty enmities. These are the issues that propel Theresa Rebeck’s latest script, now in its world premiere staging at Costa Mesa’s South Coast Repertory Theatre, through November 16.

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Nominees for the 2014 LA STAGE Alliance Ovation Awards were announced on the evening of Monday, September 22 at Native Voices at the Autry National Center in Los Angeles. The nominations were revealed by past Ovation Award recipients Gigi Bermingham, Brighid Fleming, Parmer Fuller, Jennifer Haley, Brian Kite, Glynn Turman, and John Zalewski, along with LA STAGE Alliance Chief Executive Officer Terence McFarland.

East West Players Announces “2042: See Change” Initiative Kicking Off with National Playwriting Competition

East West Players (EWP), the nation’s premier Asian American theatre organization, announces 2042: See Change, an initiative by East West Players to promote diversity in American theatre. According to census reports, it is estimated that by 2042, for the first time people of color will make up a majority of the United States population.  With this shift in demographics, the face of America will look and feel different.

“We want to challenge other theaters to prepare for this change by thinking differently in their artistic programming and their audience development strategy,” says EWP Producing Artistic Director, Tim Dang. “In many areas, the change has already happened. The future is here.  2042: See Change is the perfect launch to initiate and innovate new works for the American theatre that include more opportunities for people of color, women, youth and ideas for the next generation of art making.

The Pasadena Playhouse Announces David DiCristofaro and Board of Directors Chairman and Brad King as Vice Chair

The Pasadena Playhouse (Artistic Director Sheldon Epps and Executive Director Elizabeth Doran) announced today that David DiCristofaro, currently serving as the Board’s Vice-Chairman, will be taking on the role of Board Chairman as of September 1, 2014.  Board member Brad King will fill DiCristofaro’s position as Vice-Chairman.


This announcement comes simultaneously with steps taken by The Playhouse in the planning of their centennial in 2017, beginning with the installation of new carpet and seating set to be completed just before the start of the theatre’s season opener KISS ME, KATE starring Wayne Brady.


Center Theatre Group Announces the 11th Season at the Kirk Douglas

2014-2015 Douglas Season is Jam-Packed with 10 Exciting Events

David Mamet’s Explosive “Race”

The Goodman Theatre’s World Premiere Production of Rebecca Gilman’s “Luna Gale”

A ‘Remix’ of Culture Clash’s Popular “Chavez Ravine”

Todd Almond’s and Matthew Sweet’s Musical Charmer “Girlfriend” and DouglasPlus Presentations –

The World Premiere of “Forever” by Dael Orlandersmith

Lucy Alibar’s Work in Progress “Throw Me on the Burnpile and Light Me Up”

The U.S. Premiere of Gob Squad’s “Western Society”

World Premiere Production of Jessica Blank and Eric Jensen’s “How to be a Rock Critic”

“Facing Our Truth: Ten-Minute Plays on Trayvon, Race and Privilege”


CTG’s Los Angeles Company Partnership Presentation of

the 24th Street Theatre’s Special Family Show “Walking the Tightrope”


[The New Season Begins July 13, 2014, and Runs Through August 9, 2015.]

Center Theatre Group Artistic Director Michael Ritchie has set the 11th season at the CTG/Kirk Douglas Theatre in Culver City.

In a jam-packed season of exciting work – from widely varied voices and at every level of development – the 2014-2015 season at the Kirk Douglas Theatre will include four powerful mainstage productions, five lively DouglasPlus productions and readings, and a critically acclaimed show for families and people of all ages.

“We start the mainstage season with David Mamet and his tinderbox of a play ‘Race’ and continue with the Goodman Theatre’s world premiere production of Rebecca Gilman’s smart and absorbing ‘Luna Gale,’” said Ritchie. “L.A.’s very own Culture Clash will bring to the Douglas a new version of their popular ‘Chavez Ravine,’ followed by Matt Almond and Matthew Sweet’s charmer of a musical ‘Girlfriend.’”

“DouglasPlus presentations are interwoven through the entire season,” said Ritchie.  “A five-year-old CTG program, DouglasPlus provides us with the flexibility to explore new work and push boundaries. We have developed and presented many  stimulating pieces through DouglasPlus, and that tradition certainly continues with this season.

“Dael Orlandersmith returns to us with the world premiere of her startling show ‘Forever,’ and we welcome the engaging voice of Lucy Alibar with her work in progress ‘Throw Me on the Burnpile and Light Me Up.’ Season ticket holders will have a chance to choose one of these two as part of their subscription.”

“Two other DouglasPlus presentations are subscription bonus options,” said Ritchie, “the U.S. premiere of Gob Squad’s absurdist ‘Western Society’ and the world premiere production of Jessica Blank and Erik Jensen’s passionate ‘How to be a Rock Critic.’

“This July, DouglasPlus gives us a chance to reflect on the Trayvon Martin case and all of its ramifications when we present both “Facing Our Truth: Ten-Minute Plays on Trayvon, Race and Privilege” and the youth summit associated with it.”