Otello
It is no surprise that Giuseppe Verdi revered Shakespeare; one master dramatist recognizing that genius in another. The young Verdi had written an operatic adaptation of MACBETH but stayed away […]
It is no surprise that Giuseppe Verdi revered Shakespeare; one master dramatist recognizing that genius in another. The young Verdi had written an operatic adaptation of MACBETH but stayed away […]
Paul Sand’s new play, THE PILOT WHO CRASHED THE PARTY, boasts an intriguing title. And the description, which hints at an homage/satire of drawing room dramas, conjures images of well-dressed […]
Lucas Hnath is a playwright who resists easy categorization. His plays are so different in story, style, tone, and technique that one would assume several quite different writers authored them. […]
On Broadway, a new country-flavored musical called SHUCKED is currently in previews. Closer to home, the world premiere of HEAVENLY COUNTRY, a jukebox country-western musical, is running at the Two […]
It is remarkable that Claude Debussy’s PELLEAS ET MELISANDE remains sui generis 121 years after the opera’s premiere. Despite aggressively modern works by Schoenberg, Tippett, Berio, and Glass, it remains, in its […]
Audiences have long had a love affair with the dashing hero of Edmond Rostand’s CYRANO DE BERGERAC. Theatre creators also succumbed to the charms of the man with the generous […]