Paul Sand’s new play, THE PILOT WHO CRASHED THE PARTY, boasts an intriguing title. And the description, which hints at an homage/satire of drawing room dramas, conjures images of well-dressed […]
Lucas Hnath is a playwright who resists easy categorization. His plays are so different in story, style, tone, and technique that one would assume several quite different writers authored them. […]
On Broadway, a new country-flavored musical called SHUCKED is currently in previews. Closer to home, the world premiere of HEAVENLY COUNTRY, a jukebox country-western musical, is running at the Two […]
It is remarkable that Claude Debussy’s PELLEAS ET MELISANDE remains sui generis 121 years after the opera’s premiere. Despite aggressively modern works by Schoenberg, Tippett, Berio, and Glass, it remains, in its […]
Audiences have long had a love affair with the dashing hero of Edmond Rostand’s CYRANO DE BERGERAC. Theatre creators also succumbed to the charms of the man with the generous […]
A show curtain for the current LA Opera production of Mozart’s comic masterpiece, LE NOZZE DI FIGARO (The Marriage of Figaro) prominently features Commedia del Arte characters. Was this an indication that […]
