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    Showmag.com
    Showmag.com
    Serving the Greater Los Angeles Area theater community since 1998

    Leigh Kennicott

    Theater
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    Rieger, Uribes, Liguori. Photo by Jenny Graham.

    Are Three Tables Enough?

    Leigh Kennicott 14 May
    3 minutes

    I’ve been musing about Murray Mednick’s new play since I saw it. It is less a narrative and more of a meditation on holocausts, whether present or future, that reflects […]

    Theater
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    Hansen, Coty, Hooks. Photo by Jermaine Alexander.

    Where Do You Stand? The Robey Theatre Presents A Heated Discussion

    Leigh Kennicott 25 April
    3 minutes

    The Robey Theatre, headed by Ben Guillory, comes roaring back after the Covid-induced layover, with a meticulously researched and workshopped performance piece that tackles the biggest questions of our current […]

    Theater
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    Rogers, Wolff. Photo by Elizabeth Kimbsll.

    The Road Presents an Impeccable Production of Bright Half Live

    Leigh Kennicott 23 April
    3 minutes

    Perhaps you will not wonder, as I did, what the half-part of “Bright Half Life” meant in the context of Tanya Barfield’s play.  Suffice it to say, I just had to […]

    Uncategorized
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    Leyva, Mack. Photo by Jenny Graham.

    Apartment Living

    Leigh Kennicott 5 April
    2 minutes

    While it is not messy by any means, Apartment Living, written by Boni B. Alvarez and produced at Skylight Theatre in conjunction with Playwrights Arena, is brilliant — yet confusing.  The play is […]

    Theater
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    Goodman, Doud, Stewart, Grimes. Photo by Cooper Bates.

    Hooded or Being Black for Dummies

    Leigh Kennicott 5 April
    2 minutes

    For me, Hooded or Being Black for Dummies was the most challenging play I’ve seen recently.  As directed by Ahmed Best and written by Tearrance Arvelle Chisholm for the Echo Theatre Company, the production has […]

    Theater
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    Cantrell, Crothers, Veremis. Photo by Frank Ishman

    We’ve Come a Long Way, Baby!

    Leigh Kennicott 28 March
    4 minutes

    My reception of Sarah Ruhl’s In The Next Room (or The Vibrator Play) is surely influenced by having blundered into the wrong theatre. Have you heard that theatre is dead?  You will not […]

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