Perhaps you will not wonder, as I did, what the half-part of “Bright Half Life” meant in the context of Tanya Barfield’s play. Suffice it to say, I just had to […]
What constitutes good acting? Honesty? Authenticity? Realism? Charisma? The culture critic Isaac Butler explores these questions as well as past as prologue in his absorbing new book, The Method: How the Twentieth Century Learned to Act. In this […]
For me, Hooded or Being Black for Dummies was the most challenging play I’ve seen recently. As directed by Ahmed Best and written by Tearrance Arvelle Chisholm for the Echo Theatre Company, the production has […]
My reception of Sarah Ruhl’s In The Next Room (or The Vibrator Play) is surely influenced by having blundered into the wrong theatre. Have you heard that theatre is dead? You will not […]
Thank goodness, I took a course in Southwestern Mystery and Myth in graduate school, or I would have no idea what was going on in Kelly McBurnette-Andronicos’ The Hall of Final […]
Almost everyone remembers the nursery rhyme, “Rapunzel, Rapunzel, let down your hair.” But what would happen if Rapunzel had to sheer off her braids because she had head lice? So begins […]
