• Increase font size
  • Default font size
  • Decrease font size

The Secret in the Wings

E-mail Print

The Children’s and Household Tales was the original title that Jakob and Wilhelm Grimm bestowed upon the 1812 publication of their collection of fairytales, which is now known as the Grimms’ Fairy Tales.  And they are grim tales, indeed. But what do the Grimm stories from the 19th century have to do with Italo Calvino’s earthy 20th century tall tales? The connection or, rather, the common denominator in these century-separate narratives is the modern-day American playwright and opera director Mary Zimmerman, best known for her Tony Award- winning rehash of Ovid’s Metamorphoses.

Zimmerman’s synthesis of the Grimm and Calvino fairy-frights, now being staged At Fullerton’s Stages Theatre through November 4, is initiated with clever burst of theatricality by director Patti Cumby wherein the parents of Audrey leave the unnerved girl in the care of an ogre who continues to propose marriage to the child (yuck!). Between Audrey’s continued rejection of the ogre’s matrimonial pleas, he “entertains” her by reading stories aloud, which then become enacted by a capably agile ensemble.

The first story is typical of the fantastical horror of the tales that are to be told. Three pregnant queens are lost on a mountaintop and extract their own eyeballs to a mediator of the evil nursemaid who has called for the royal trios execution. Brought past the brink of insanity by their famished physical condition, two of the crown-wearers eat their babies. As they approach the next newborn in a rage of hunger, the action segues to another tale.

And so it goes from a queen who cannot laugh back to the tale-teller with a tail trailing from his rear, we in the audience are lured into what seems like a trance-like state, somewhere between dramatic ecstasy and a nightmare.

With a committed cast of nine — (Judy Mina-Ballard, David Bradbury, Paul Burt, Adam Bradley Clinton, Emily Curington, Mady Durban, Jamie Hadley, Stan Morrow, and Edgar Andrew Torrens — displaying breathtaking athleticism and top-notch line delivery, The Secret in the Wings is a theatrical Halloween treat. With Jon Gaw’s set design, Kalen Cobb’s lighting motif, Calvin Ballard’s sound design and engineering, Patti Cumby’s extraordinary costume design, Gabrielle Maldonado’s indispensable musical direction, and Edgar Andrew Torrens’s inventive choreography — it shouldn’t stay a secret that The Secret in the Wings is, as staged by Stages Theatre, a mini-masterwork in the annals of melodrama.

The Secret in the Wings continues at Stages Theatre through November 4. Stages Theatre is located at 400 East Commonwealth, Fullerton. Evening performances are Fridays and Saturdays at 8 p.m. Matinees are Sundays at 2 p.m. For reservations, call (714) 525-4484. For online ticketing and further information, visit Home - STAGEStheatre



Laguna Playhouse Announces Ellen Richard as its Interim Executive Director

May 3, 2016…Laguna Beach, Calif…Laguna Playhouse Board of Directors announced today that, later this month, Ellen Richard will be joining Laguna Playhouse as its Interim Executive Director. The Playhouse announced late last year that it was undertaking a national search guided by Arts Consulting Group (ACG) for an Executive Director to succeed Karen Wood who had held this position for the past eight years.

Commenting on the appointment Joe Hanauer and Paul Singarella, Co-Chairmens of the Board of Directors, said “In the midst of our search we encountered this wonderful opportunity to engage Ellen while we continue to seek appropriate long-term leadership. To have found someone with the extraordinary qualifications that Ellen has is thrilling. She is the recipient of six Tony Awards as producer at New York’s Roundabout Theatre Company where she was Managing Director. Ellen also has strong successes in supervising the construction of theatres in New York and also in San Francisco at the American Conservatory Theater, a rare and valuable skill set considering the contemplated major remodel and expansion of the Laguna Playhouse.” Laguna Playhouse Artistic Director Ann E. Wareham adds, “We are pleased and proud to have Ellen Richard, truly a rock-star in our field, join us as our interim Executive Director who will help guide the Playhouse during this transition.” Comments Ellen Richard, “I have quickly grown fond of Laguna Beach and the Playhouse. I embrace this extraordinary opportunity to join one of the country’s top regional theatres at this time in its remarkable 95-year history. I look forward to helping the Playhouse and working with their incredible Board of Trustees and Ann E. Wareham.”


Ellen Richard served as Executive Director of the American Conservatory Theater in San Francisco from 2010 through 2015.  During her tenure, Ms. Richard negotiated a deal to buy the Strand Theater in tech corridor of Mid-Market San Francisco, helped raise the $34,000 million to renovate and operate it and steered the design and construction for the project which opened in May of 2015. The complex featured two performance spaces and has won multiple awards.  She opened the 50 seat Costume Shop Theater, a 49-seat “black box” venue used for the company’s Master of Fine Arts students and for shows by other local companies.  Ms. Richard was also credited with expanding the company’s educational efforts, coming up with programs like the San Francisco Semester, which brings undergraduate acting students to ACT from around the world, and Stage Coach, a community theater mobile unit that reaches into diverse neighborhoods

She was also Executive Director of The Second Stage Theatre in New York City. During her tenure at Second Stage, which began in 2006 (through 2009), she was responsible for the purchase contract of the Helen Hayes Theatre, growth in subscription income of 48 percent, and growth in individual giving of 75 percent, as well as conceptualization of a highly successful gala format and “Second Generation,” a giving program through which donors enable deserving New York City youth to experience live theater. Under Ms. Richard’s leadership, Second Stage provided the initial home for the Broadway productions Everyday Rapture, Next to Normal, and The Little Dog Laughed.

From 1983 to 2005, Ms. Richard enjoyed a rich and varied career with Roundabout Theatre Company. The Roundabout that Ms. Richard joined was a small nonprofit theater company in bankruptcy. By the time she departed as Managing Director, Roundabout had become one of the country’s largest and most successful theater companies of its kind, with net assets in excess of $67 million dollars. Ms. Richard is the recipient of six Tony Awards as producer, for Roundabout productions of Cabaret (1998), A View from the Bridge (1998), Side Man (1999), Nine (2003), Assassins (2004), and Glengarry Glen Ross (2005). As producer of more than 125 shows at Roundabout, she had direct supervision of all management and marketing functions. She created Roundabout’s “Theatre-PLUS” programs, which include singles, teachers, family, gay and lesbian, wine tasting, and the 7 p.m. “Early Curtain” series, all of which grew to represent more than 10 percent of Roundabout’s 40,000 subscribers.

As director of design and construction at Roundabout, Ms. Richard was responsible for more than $50 million of theater construction for 11 projects. She conceptualized the three permanent Roundabout stages — The Broadway venues of Studio 54 and the American Airlines Theatre, and the Off-Broadway venue The Harold and Miriam Steinberg Center for Theatre She directed the location search for Cabaret and oversaw the creation of the production’s environmental Kit Kat Klub. Prior to her tenure at Roundabout, Ms. Richard served as business manager of Westport Country Playhouse, theater manager for Stamford Center for the Arts, and business manager for Atlas Scenic Studio. She began her career working as a stagehand, sound designer, and scenic artist assistant.