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Victory Theatre's Show Pony Nine to Five for the Twenty-First Century

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The veteran producing team of Gobetti and Ormany has done it! The two actors/turned directors have discovered a superb comedy to assuage our collective angst during the tenure of our divisive and culturally incorrect president.  Judith Leora’s Show Pony is a snappy, smart, and deceptively subtle examination of hierarchical gender and racial relationships in the work place.

The playwright places five women together in a board room to hash out the differences in management styles between a white-and-male-majority ad agency and an acquired African-American boutique. On the distaff side, Patricia (Elle Verneé) is a down-to-earth office manager whose settled life takes a sudden, surprising turn. Destiny (Bianca LeMaire) is the smart and sassy Account Exec whose allure has a lot to do with the merger. Krystal Roche (Omolola) speaks truth to…..just about everyone with her unique, Haitian point of view.

The dominant agency is represented by an eccentric and off-putting copy-writer and, it turns out, half-owner, Sam (brilliantly played by Lizzy Kimball) who spends most of Act One instigating arguments. Tara (Sionne Elise), an aspiring intern, stands in for the absent (and only) male, Walker, in the first act. Her niaiveté, coupled with Sam’s outrageous behavior, upends any attempt that might have been made for a smooth transition.

After that fast-paced first act, the second settles down into the play’s key point. The sleek turquoise-walled board room, masterfully designed by Evan Bartoletti, gives way to a chintzy-hotel bedroom where Walker (The Victory’s own marshall McCabe), rendesvous with Destiny. We soon learn what’s at stake: even with the apparent gains that have been made since the 60s, the world of business sails along as usual, with the intention of preserving the status quo. Just as with Nine to Five, playwright Leora presents us with a satisfying come-uppance that you’ve got to see.

In addition to Bartoletti’s boundary-defying set, director Tom Ormany is abetted by fashionable costuming by Lauri Fitzsimmons, with lighting by Carol Doehring and sound design by David Duarte. Despite having been written a number of years ago, as Ormany says, “Show Pony is about as current as you can get.”

Show Pony continues  at the Little Victory Theatre, Friday and Saturday at 8:00 PM and Sunday at 4:00 PM through November 18th . The Victory Theatre Center is located at 3326 W. Victory Blvd., Burbank 91505. Tickets: $24.00 – 34.00. Phone (818) 841-5421,  or online:



Laguna Playhouse Announces Ellen Richard as its Interim Executive Director

May 3, 2016…Laguna Beach, Calif…Laguna Playhouse Board of Directors announced today that, later this month, Ellen Richard will be joining Laguna Playhouse as its Interim Executive Director. The Playhouse announced late last year that it was undertaking a national search guided by Arts Consulting Group (ACG) for an Executive Director to succeed Karen Wood who had held this position for the past eight years.

Commenting on the appointment Joe Hanauer and Paul Singarella, Co-Chairmens of the Board of Directors, said “In the midst of our search we encountered this wonderful opportunity to engage Ellen while we continue to seek appropriate long-term leadership. To have found someone with the extraordinary qualifications that Ellen has is thrilling. She is the recipient of six Tony Awards as producer at New York’s Roundabout Theatre Company where she was Managing Director. Ellen also has strong successes in supervising the construction of theatres in New York and also in San Francisco at the American Conservatory Theater, a rare and valuable skill set considering the contemplated major remodel and expansion of the Laguna Playhouse.” Laguna Playhouse Artistic Director Ann E. Wareham adds, “We are pleased and proud to have Ellen Richard, truly a rock-star in our field, join us as our interim Executive Director who will help guide the Playhouse during this transition.” Comments Ellen Richard, “I have quickly grown fond of Laguna Beach and the Playhouse. I embrace this extraordinary opportunity to join one of the country’s top regional theatres at this time in its remarkable 95-year history. I look forward to helping the Playhouse and working with their incredible Board of Trustees and Ann E. Wareham.”


Ellen Richard served as Executive Director of the American Conservatory Theater in San Francisco from 2010 through 2015.  During her tenure, Ms. Richard negotiated a deal to buy the Strand Theater in tech corridor of Mid-Market San Francisco, helped raise the $34,000 million to renovate and operate it and steered the design and construction for the project which opened in May of 2015. The complex featured two performance spaces and has won multiple awards.  She opened the 50 seat Costume Shop Theater, a 49-seat “black box” venue used for the company’s Master of Fine Arts students and for shows by other local companies.  Ms. Richard was also credited with expanding the company’s educational efforts, coming up with programs like the San Francisco Semester, which brings undergraduate acting students to ACT from around the world, and Stage Coach, a community theater mobile unit that reaches into diverse neighborhoods

She was also Executive Director of The Second Stage Theatre in New York City. During her tenure at Second Stage, which began in 2006 (through 2009), she was responsible for the purchase contract of the Helen Hayes Theatre, growth in subscription income of 48 percent, and growth in individual giving of 75 percent, as well as conceptualization of a highly successful gala format and “Second Generation,” a giving program through which donors enable deserving New York City youth to experience live theater. Under Ms. Richard’s leadership, Second Stage provided the initial home for the Broadway productions Everyday Rapture, Next to Normal, and The Little Dog Laughed.

From 1983 to 2005, Ms. Richard enjoyed a rich and varied career with Roundabout Theatre Company. The Roundabout that Ms. Richard joined was a small nonprofit theater company in bankruptcy. By the time she departed as Managing Director, Roundabout had become one of the country’s largest and most successful theater companies of its kind, with net assets in excess of $67 million dollars. Ms. Richard is the recipient of six Tony Awards as producer, for Roundabout productions of Cabaret (1998), A View from the Bridge (1998), Side Man (1999), Nine (2003), Assassins (2004), and Glengarry Glen Ross (2005). As producer of more than 125 shows at Roundabout, she had direct supervision of all management and marketing functions. She created Roundabout’s “Theatre-PLUS” programs, which include singles, teachers, family, gay and lesbian, wine tasting, and the 7 p.m. “Early Curtain” series, all of which grew to represent more than 10 percent of Roundabout’s 40,000 subscribers.

As director of design and construction at Roundabout, Ms. Richard was responsible for more than $50 million of theater construction for 11 projects. She conceptualized the three permanent Roundabout stages — The Broadway venues of Studio 54 and the American Airlines Theatre, and the Off-Broadway venue The Harold and Miriam Steinberg Center for Theatre She directed the location search for Cabaret and oversaw the creation of the production’s environmental Kit Kat Klub. Prior to her tenure at Roundabout, Ms. Richard served as business manager of Westport Country Playhouse, theater manager for Stamford Center for the Arts, and business manager for Atlas Scenic Studio. She began her career working as a stagehand, sound designer, and scenic artist assistant.