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42nd Street

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Based on the Depression-era film of the same title, which in turn was adapted from the Bradford Ropes novel (which also bears the same moniker as the film and stage musical), 42nd Street — with a book by Michael Stewart and Mark Bramble; lyrics by Al Dubin and Johnny Mercer; and music by Harry Warren — made its Broadway debut in 1980, winning that year’s Tony Award for Best Musical. In 2001, 42nd Street again earned a Tony for Best Revival.

Now this acclaimed musical is having a homegrown staging at Westminster’s Rose Center Theater, through March 4. Admirably directed by Tim Nelson (who also serves as musical director and plays the role of Oscar, the piano man), this production of 42nd Street is impressive.

The show begins with the Opening Audition, a dance number that makes the skill of tap dancing look not only easy but irresistible. The joyful and energetic choreography is credited to Jennifer Simpson-Matthews and Diana Makas, and it is a marvel to witness this stage full of dancers coordinating the moves with apparent effortlessness.

This sheen of ease is evident throughout the two-and-a-half hours of this staging; and the story of Dorothy Brock, a demanding diva, (comically enhanced by Meredith Woodson’s outlandish portrayal), whose so-called sugar daddy, Abner Dillon (Jack Gilroy), is financing the Broadway production of a show called Pretty Lady, is a tried tale of comedy comeuppance. Dorothy is a two-timer, who’s also seeing a former flame, Pat (Vincent Aniceto), on the QT. When Julian Marsh (a vocally able Chris Caputo), the producer of the show, discovers Dorothy’s love affair, he fears the production will be jeopardized and goes to criminal lengths to end the assignations of his leading lady.

After Dorothy breaks her ankle during the opening night performance, a scramble ensues to have the show go on; and Dorothy’s young nemesis, Peggy Sawyer (a winning Amanda Henchee), is put into the role of leading lady.

In two acts, with 15 song and dance routines, a raring-to-go cast and ensemble, including standouts such as Trevor Stephenson as Billy Lawlor, Shelby Rawlinson as Lorraine Flemming, and Sara Teeter as Annie Reilly, deliver songbook classics like "We’re in the Money;" "Lullaby of Broadway;" "Shuffle Off to Buffalo;" and the grand finale number, "42nd Street." Enviable costuming is delivered by Jenny Wentworth making this Rose Center Theater take on 42nd Street a budding success.

The Rose Center Theater located at 14140 All American Way in the city of Westminster. For reservations to 42nd Street, call (714) 1150, ext. 1. For further information, visit



Laguna Playhouse Announces Ellen Richard as its Interim Executive Director

May 3, 2016…Laguna Beach, Calif…Laguna Playhouse Board of Directors announced today that, later this month, Ellen Richard will be joining Laguna Playhouse as its Interim Executive Director. The Playhouse announced late last year that it was undertaking a national search guided by Arts Consulting Group (ACG) for an Executive Director to succeed Karen Wood who had held this position for the past eight years.

Commenting on the appointment Joe Hanauer and Paul Singarella, Co-Chairmens of the Board of Directors, said “In the midst of our search we encountered this wonderful opportunity to engage Ellen while we continue to seek appropriate long-term leadership. To have found someone with the extraordinary qualifications that Ellen has is thrilling. She is the recipient of six Tony Awards as producer at New York’s Roundabout Theatre Company where she was Managing Director. Ellen also has strong successes in supervising the construction of theatres in New York and also in San Francisco at the American Conservatory Theater, a rare and valuable skill set considering the contemplated major remodel and expansion of the Laguna Playhouse.” Laguna Playhouse Artistic Director Ann E. Wareham adds, “We are pleased and proud to have Ellen Richard, truly a rock-star in our field, join us as our interim Executive Director who will help guide the Playhouse during this transition.” Comments Ellen Richard, “I have quickly grown fond of Laguna Beach and the Playhouse. I embrace this extraordinary opportunity to join one of the country’s top regional theatres at this time in its remarkable 95-year history. I look forward to helping the Playhouse and working with their incredible Board of Trustees and Ann E. Wareham.”


Ellen Richard served as Executive Director of the American Conservatory Theater in San Francisco from 2010 through 2015.  During her tenure, Ms. Richard negotiated a deal to buy the Strand Theater in tech corridor of Mid-Market San Francisco, helped raise the $34,000 million to renovate and operate it and steered the design and construction for the project which opened in May of 2015. The complex featured two performance spaces and has won multiple awards.  She opened the 50 seat Costume Shop Theater, a 49-seat “black box” venue used for the company’s Master of Fine Arts students and for shows by other local companies.  Ms. Richard was also credited with expanding the company’s educational efforts, coming up with programs like the San Francisco Semester, which brings undergraduate acting students to ACT from around the world, and Stage Coach, a community theater mobile unit that reaches into diverse neighborhoods

She was also Executive Director of The Second Stage Theatre in New York City. During her tenure at Second Stage, which began in 2006 (through 2009), she was responsible for the purchase contract of the Helen Hayes Theatre, growth in subscription income of 48 percent, and growth in individual giving of 75 percent, as well as conceptualization of a highly successful gala format and “Second Generation,” a giving program through which donors enable deserving New York City youth to experience live theater. Under Ms. Richard’s leadership, Second Stage provided the initial home for the Broadway productions Everyday Rapture, Next to Normal, and The Little Dog Laughed.

From 1983 to 2005, Ms. Richard enjoyed a rich and varied career with Roundabout Theatre Company. The Roundabout that Ms. Richard joined was a small nonprofit theater company in bankruptcy. By the time she departed as Managing Director, Roundabout had become one of the country’s largest and most successful theater companies of its kind, with net assets in excess of $67 million dollars. Ms. Richard is the recipient of six Tony Awards as producer, for Roundabout productions of Cabaret (1998), A View from the Bridge (1998), Side Man (1999), Nine (2003), Assassins (2004), and Glengarry Glen Ross (2005). As producer of more than 125 shows at Roundabout, she had direct supervision of all management and marketing functions. She created Roundabout’s “Theatre-PLUS” programs, which include singles, teachers, family, gay and lesbian, wine tasting, and the 7 p.m. “Early Curtain” series, all of which grew to represent more than 10 percent of Roundabout’s 40,000 subscribers.

As director of design and construction at Roundabout, Ms. Richard was responsible for more than $50 million of theater construction for 11 projects. She conceptualized the three permanent Roundabout stages — The Broadway venues of Studio 54 and the American Airlines Theatre, and the Off-Broadway venue The Harold and Miriam Steinberg Center for Theatre She directed the location search for Cabaret and oversaw the creation of the production’s environmental Kit Kat Klub. Prior to her tenure at Roundabout, Ms. Richard served as business manager of Westport Country Playhouse, theater manager for Stamford Center for the Arts, and business manager for Atlas Scenic Studio. She began her career working as a stagehand, sound designer, and scenic artist assistant.