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Center Theatre Group Announces the 11th Season at the Kirk Douglas

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2014-2015 Douglas Season is Jam-Packed with 10 Exciting Events

David Mamet’s Explosive “Race”

The Goodman Theatre’s World Premiere Production of Rebecca Gilman’s “Luna Gale”

A ‘Remix’ of Culture Clash’s Popular “Chavez Ravine”

Todd Almond’s and Matthew Sweet’s Musical Charmer “Girlfriend” and DouglasPlus Presentations –

The World Premiere of “Forever” by Dael Orlandersmith

Lucy Alibar’s Work in Progress “Throw Me on the Burnpile and Light Me Up”

The U.S. Premiere of Gob Squad’s “Western Society”

World Premiere Production of Jessica Blank and Eric Jensen’s “How to be a Rock Critic”

“Facing Our Truth: Ten-Minute Plays on Trayvon, Race and Privilege”

and

CTG’s Los Angeles Company Partnership Presentation of

the 24th Street Theatre’s Special Family Show “Walking the Tightrope”

 

[The New Season Begins July 13, 2014, and Runs Through August 9, 2015.]

Center Theatre Group Artistic Director Michael Ritchie has set the 11th season at the CTG/Kirk Douglas Theatre in Culver City.

In a jam-packed season of exciting work – from widely varied voices and at every level of development – the 2014-2015 season at the Kirk Douglas Theatre will include four powerful mainstage productions, five lively DouglasPlus productions and readings, and a critically acclaimed show for families and people of all ages.

“We start the mainstage season with David Mamet and his tinderbox of a play ‘Race’ and continue with the Goodman Theatre’s world premiere production of Rebecca Gilman’s smart and absorbing ‘Luna Gale,’” said Ritchie. “L.A.’s very own Culture Clash will bring to the Douglas a new version of their popular ‘Chavez Ravine,’ followed by Matt Almond and Matthew Sweet’s charmer of a musical ‘Girlfriend.’”

“DouglasPlus presentations are interwoven through the entire season,” said Ritchie.  “A five-year-old CTG program, DouglasPlus provides us with the flexibility to explore new work and push boundaries. We have developed and presented many  stimulating pieces through DouglasPlus, and that tradition certainly continues with this season.

“Dael Orlandersmith returns to us with the world premiere of her startling show ‘Forever,’ and we welcome the engaging voice of Lucy Alibar with her work in progress ‘Throw Me on the Burnpile and Light Me Up.’ Season ticket holders will have a chance to choose one of these two as part of their subscription.”

“Two other DouglasPlus presentations are subscription bonus options,” said Ritchie, “the U.S. premiere of Gob Squad’s absurdist ‘Western Society’ and the world premiere production of Jessica Blank and Erik Jensen’s passionate ‘How to be a Rock Critic.’

“This July, DouglasPlus gives us a chance to reflect on the Trayvon Martin case and all of its ramifications when we present both “Facing Our Truth: Ten-Minute Plays on Trayvon, Race and Privilege” and the youth summit associated with it.”

 

Spotlight

Laguna Playhouse Announces Ellen Richard as its Interim Executive Director

May 3, 2016…Laguna Beach, Calif…Laguna Playhouse Board of Directors announced today that, later this month, Ellen Richard will be joining Laguna Playhouse as its Interim Executive Director. The Playhouse announced late last year that it was undertaking a national search guided by Arts Consulting Group (ACG) for an Executive Director to succeed Karen Wood who had held this position for the past eight years.

Commenting on the appointment Joe Hanauer and Paul Singarella, Co-Chairmens of the Board of Directors, said “In the midst of our search we encountered this wonderful opportunity to engage Ellen while we continue to seek appropriate long-term leadership. To have found someone with the extraordinary qualifications that Ellen has is thrilling. She is the recipient of six Tony Awards as producer at New York’s Roundabout Theatre Company where she was Managing Director. Ellen also has strong successes in supervising the construction of theatres in New York and also in San Francisco at the American Conservatory Theater, a rare and valuable skill set considering the contemplated major remodel and expansion of the Laguna Playhouse.” Laguna Playhouse Artistic Director Ann E. Wareham adds, “We are pleased and proud to have Ellen Richard, truly a rock-star in our field, join us as our interim Executive Director who will help guide the Playhouse during this transition.” Comments Ellen Richard, “I have quickly grown fond of Laguna Beach and the Playhouse. I embrace this extraordinary opportunity to join one of the country’s top regional theatres at this time in its remarkable 95-year history. I look forward to helping the Playhouse and working with their incredible Board of Trustees and Ann E. Wareham.”

ABOUT ELLEN RICHARD

Ellen Richard served as Executive Director of the American Conservatory Theater in San Francisco from 2010 through 2015.  During her tenure, Ms. Richard negotiated a deal to buy the Strand Theater in tech corridor of Mid-Market San Francisco, helped raise the $34,000 million to renovate and operate it and steered the design and construction for the project which opened in May of 2015. The complex featured two performance spaces and has won multiple awards.  She opened the 50 seat Costume Shop Theater, a 49-seat “black box” venue used for the company’s Master of Fine Arts students and for shows by other local companies.  Ms. Richard was also credited with expanding the company’s educational efforts, coming up with programs like the San Francisco Semester, which brings undergraduate acting students to ACT from around the world, and Stage Coach, a community theater mobile unit that reaches into diverse neighborhoods

She was also Executive Director of The Second Stage Theatre in New York City. During her tenure at Second Stage, which began in 2006 (through 2009), she was responsible for the purchase contract of the Helen Hayes Theatre, growth in subscription income of 48 percent, and growth in individual giving of 75 percent, as well as conceptualization of a highly successful gala format and “Second Generation,” a giving program through which donors enable deserving New York City youth to experience live theater. Under Ms. Richard’s leadership, Second Stage provided the initial home for the Broadway productions Everyday Rapture, Next to Normal, and The Little Dog Laughed.

From 1983 to 2005, Ms. Richard enjoyed a rich and varied career with Roundabout Theatre Company. The Roundabout that Ms. Richard joined was a small nonprofit theater company in bankruptcy. By the time she departed as Managing Director, Roundabout had become one of the country’s largest and most successful theater companies of its kind, with net assets in excess of $67 million dollars. Ms. Richard is the recipient of six Tony Awards as producer, for Roundabout productions of Cabaret (1998), A View from the Bridge (1998), Side Man (1999), Nine (2003), Assassins (2004), and Glengarry Glen Ross (2005). As producer of more than 125 shows at Roundabout, she had direct supervision of all management and marketing functions. She created Roundabout’s “Theatre-PLUS” programs, which include singles, teachers, family, gay and lesbian, wine tasting, and the 7 p.m. “Early Curtain” series, all of which grew to represent more than 10 percent of Roundabout’s 40,000 subscribers.

As director of design and construction at Roundabout, Ms. Richard was responsible for more than $50 million of theater construction for 11 projects. She conceptualized the three permanent Roundabout stages — The Broadway venues of Studio 54 and the American Airlines Theatre, and the Off-Broadway venue The Harold and Miriam Steinberg Center for Theatre She directed the location search for Cabaret and oversaw the creation of the production’s environmental Kit Kat Klub. Prior to her tenure at Roundabout, Ms. Richard served as business manager of Westport Country Playhouse, theater manager for Stamford Center for the Arts, and business manager for Atlas Scenic Studio. She began her career working as a stagehand, sound designer, and scenic artist assistant.