Showmag.com

  • Increase font size
  • Default font size
  • Decrease font size

BLINK and You Might Miss Me

E-mail Print

Larry Blum, last name rhymes with 'glum,' is a hysterical, astute personality who speaks the truth no matter how embarrassing it might be. He is the go-to guy when you want to find out some gossip on anyone.

His hilarious one-man show, "BLINK and You Might Miss Me," is a treasure of entertaining tidbits about Blum's career in show business. He's not as recognizable as actors Matthew McConaughey or Al Pacino, but if you saw Blum you could easily pick him out of comedian line-up. His charismatic personality and bigger-than-life persona are what reels a person in and lets the audience bask in his clever storytelling.

Blum began his illustrious entertainment career as an on-camera talent escort. You've seen these people. They are the ones who escort the winners on an award show up the steps to receive their Oscar, Grammy, or Tony award and say a few words. At his show, Blum's overhead projection shows him escorting Academy Award winner Meryl Streep receiving her Golden Globe award for her role in the 1977 film "Julia." She would win her first Oscar for Best Actress in a Supporting role for the movie "Kramer vs. Kramer" in 1980.

Blum admits coming from a "show-biz" family. There was no temple on Saturdays but Chinese food was the staple Sunday dinner at his house. He collected everything about goddess Elizabeth Taylor. Blum was on a quest to becoming a celebrity. He was a dancer in the 1980's show and movie, respectively, "Solid Gold," and "Xanadu" starring Olivia Newton-John. He performed in the musical "Bye Bye Birdie," with Lucie Arnaz. He also auditioned for "A Chorus Line" at the Shubert Theatre in New York. Blum disclosed that he worked behind the scenes on a gay porn film. He made it sound innocent and was very nonchalant about it. He recalls his first dancing job at the 5th Annual Peoples Choice Awards back in 1979.

Blum was a contestant on the "The Dating Game" show. He had a regular gig on the television series "Roseanne" for about three years. To this day, Blum does spots on the daytime serials, "Days of our Lives," "General Hospital" and "The Bold and the Beautiful." He continues to work on the Tony awards--going nine years strong.
Blum's gregarious personality is infectious and extremely fun to watch. He has a special way of connecting with the audience, by providing them a front-row seat to his journey of hitting the big time. His resume is a long list of major accomplishments that gives him the right to be declared a star.

"BLINK & You Might Miss Me" runs Thursdays through Saturdays at 8 p.m., and Sundays at 3 p.m. until Sunday, February 6 at The Asylum Lab Theatre located at 1078 Lillian Way (Santa Monica Blvd & Lillian Way). Reserve online at www.plays411.com/blink or call (323) 960-1055.

 

Spotlight

2014 LA STAGE ALLIANCE OVATION AWARD NOMINEES ANNOUNCED
Nominees for the 2014 LA STAGE Alliance Ovation Awards were announced on the evening of Monday, September 22 at Native Voices at the Autry National Center in Los Angeles. The nominations were revealed by past Ovation Award recipients Gigi Bermingham, Brighid Fleming, Parmer Fuller, Jennifer Haley, Brian Kite, Glynn Turman, and John Zalewski, along with LA STAGE Alliance Chief Executive Officer Terence McFarland.


Read more...
 
East West Players Announces “2042: See Change” Initiative Kicking Off with National Playwriting Competition

East West Players (EWP), the nation’s premier Asian American theatre organization, announces 2042: See Change, an initiative by East West Players to promote diversity in American theatre. According to census reports, it is estimated that by 2042, for the first time people of color will make up a majority of the United States population.  With this shift in demographics, the face of America will look and feel different.

“We want to challenge other theaters to prepare for this change by thinking differently in their artistic programming and their audience development strategy,” says EWP Producing Artistic Director, Tim Dang. “In many areas, the change has already happened. The future is here.  2042: See Change is the perfect launch to initiate and innovate new works for the American theatre that include more opportunities for people of color, women, youth and ideas for the next generation of art making.

Read more...
 
The Pasadena Playhouse Announces David DiCristofaro and Board of Directors Chairman and Brad King as Vice Chair

The Pasadena Playhouse (Artistic Director Sheldon Epps and Executive Director Elizabeth Doran) announced today that David DiCristofaro, currently serving as the Board’s Vice-Chairman, will be taking on the role of Board Chairman as of September 1, 2014.  Board member Brad King will fill DiCristofaro’s position as Vice-Chairman.

 

This announcement comes simultaneously with steps taken by The Playhouse in the planning of their centennial in 2017, beginning with the installation of new carpet and seating set to be completed just before the start of the theatre’s season opener KISS ME, KATE starring Wayne Brady.

 

Read more...
 
Center Theatre Group Announces the 11th Season at the Kirk Douglas

2014-2015 Douglas Season is Jam-Packed with 10 Exciting Events

David Mamet’s Explosive “Race”

The Goodman Theatre’s World Premiere Production of Rebecca Gilman’s “Luna Gale”

A ‘Remix’ of Culture Clash’s Popular “Chavez Ravine”

Todd Almond’s and Matthew Sweet’s Musical Charmer “Girlfriend” and DouglasPlus Presentations –

The World Premiere of “Forever” by Dael Orlandersmith

Lucy Alibar’s Work in Progress “Throw Me on the Burnpile and Light Me Up”

The U.S. Premiere of Gob Squad’s “Western Society”

World Premiere Production of Jessica Blank and Eric Jensen’s “How to be a Rock Critic”

“Facing Our Truth: Ten-Minute Plays on Trayvon, Race and Privilege”

and

CTG’s Los Angeles Company Partnership Presentation of

the 24th Street Theatre’s Special Family Show “Walking the Tightrope”

 

[The New Season Begins July 13, 2014, and Runs Through August 9, 2015.]

Center Theatre Group Artistic Director Michael Ritchie has set the 11th season at the CTG/Kirk Douglas Theatre in Culver City.

In a jam-packed season of exciting work – from widely varied voices and at every level of development – the 2014-2015 season at the Kirk Douglas Theatre will include four powerful mainstage productions, five lively DouglasPlus productions and readings, and a critically acclaimed show for families and people of all ages.

“We start the mainstage season with David Mamet and his tinderbox of a play ‘Race’ and continue with the Goodman Theatre’s world premiere production of Rebecca Gilman’s smart and absorbing ‘Luna Gale,’” said Ritchie. “L.A.’s very own Culture Clash will bring to the Douglas a new version of their popular ‘Chavez Ravine,’ followed by Matt Almond and Matthew Sweet’s charmer of a musical ‘Girlfriend.’”

“DouglasPlus presentations are interwoven through the entire season,” said Ritchie.  “A five-year-old CTG program, DouglasPlus provides us with the flexibility to explore new work and push boundaries. We have developed and presented many  stimulating pieces through DouglasPlus, and that tradition certainly continues with this season.

“Dael Orlandersmith returns to us with the world premiere of her startling show ‘Forever,’ and we welcome the engaging voice of Lucy Alibar with her work in progress ‘Throw Me on the Burnpile and Light Me Up.’ Season ticket holders will have a chance to choose one of these two as part of their subscription.”

“Two other DouglasPlus presentations are subscription bonus options,” said Ritchie, “the U.S. premiere of Gob Squad’s absurdist ‘Western Society’ and the world premiere production of Jessica Blank and Erik Jensen’s passionate ‘How to be a Rock Critic.’

“This July, DouglasPlus gives us a chance to reflect on the Trayvon Martin case and all of its ramifications when we present both “Facing Our Truth: Ten-Minute Plays on Trayvon, Race and Privilege” and the youth summit associated with it.”