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Musical Theatre Guild Turns Sweet 16

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Musical Theatre Guild, winner of the Los Angeles Drama Critics’ Circle Margaret Harford Award for sustained excellence, has announced an eclectic quintet of shows to celebrate its sixteenth season of Broadway in Concert musicals. The company of professional performers present concert-staged readings of seldom seen musicals.

This writer first experienced MTG with the 5th show of their 2nd season in 1997. 110 In the Shade, the musical version of The Rainmaker, featured Earl Holliman from the classic Katharine Hepburn/Burt Lancaster film in the role of the Father. Taking Holliman’s role as the youngest son was the show-stopping, Robby Award winning performance of David Engel, while Michael G. Hawkins and Karen Culliver played the star-crossed lovers. Among the many shows I did see, the best were Stephen Sondheim’s Passion and Jason Robert Brown’s Parade, both of which were L.A. premieres.

My most recent MTG outing was a really rare staging of the 1943 One Touch of Venus in February. The reason usually given as to why most of these musicals are rarely staged is the book. That was definitely the case here with the script by S.J. Perelman and Ogden Nash which dealt with a barber putting the engagement ring he intended to give his girlfriend on a long lost statue of Venus recently purchased by a wealthy art collector instead. The statue comes to life and creates mischief for everyone. The 1948 film script by Harry Kurnitz and Frank Tashlin made a bit more sense. A window dresser (Robert Walker) impulsively kisses the statue of Venus as he is setting up a display in a department store bringing it to life in the heavenly form of Ava Gardner. All but two of the Kurt Weill/Ogden Nash songs were cut from the film, but thankfully that is where MTG excelled. The cast was in great voice headed by Will Collyer as the barber and Jennifer Shelton as Venus. “Speak Low,” “I’m a Stranger Here Myself,” and “Foolish Heart” were some of the gems heard. MTG’s production was nearly stolen by Diane Vincent as the wise-cracking Molly, just as Eve Arden stole the film in the same role.

Bat Boy The Musical, which started life at L.A.’s Actors’ Gang before finding success off-Broadway in 2001 with Kaitlin Hopkins and Deven May, will be MTG’s next offering at Glendale’s Alex Theatre on June 13.

The shows for 2011-12 are High Fidelity, based more on Nick Hornby’s novel than on the film that starred John Cusack concerning a record shop owner who, after his girlfriend leaves him, goes through a painful re-evaluation of his life and lost loves. The Broadway production closed after only 14 performances, but L.A. audiences will get a chance to see it September 19 at the Alex Theatre in Glendale.

Fanny, with a haunting score by Harold Rome (which was used as underscoring in the 1961 film with Leslie Caron and Maurice Chevalier), is the bittersweet story of love, secrets, and star-crossed young lovers on the Marseilles waterfront. The 1954 Broadway production starred Florence Henderson and Ezio Pinza. It plays November 14 at the Alex Theatre in Glendale.

Little Women from 2005 sets the classic story of the March sisters and their beloved Marmee in Civil War Massachusetts to a heartfelt, lyrical score. It will play February 13, 2012 at the Alex Theatre in Glendale and February 19 at the Scherr Forum at the Thousand Oaks Civic Arts Plaza.

A New Brain, by William Finn and James Lapine, is Finn’s semi-autobiographical account of how he made the most out of life in the face of a harrowing major illness. It is smart, often funny, and always uplifting. It appears April 16, 2012 at the Alex Theatre in Glendale.

Shenandoah, with a passionate Country & Western score, is the rousing, moving story of Charlie Anderson, a pacifist Southerner who is forced to take action when his youngest son is taken prisoner during the war. It is on Monday, June 11, 2011 at the Alex Theatre in Glendale and June 17 at the Scherr Forum at the Thousand Oaks Civic Arts Plaza.

Season tickets to the complete season at the Alex Theatre are on sale now directly through the Alex Theatre Box Office or by calling 818-243-ALEX. A two show mini-season to the shows at the Thousand Oaks Civic Arts Plaza is available by calling 805-449-2775.

For single tickets to the Alex Theatre, call the Alex Theatre Box Office at 818-243-ALEX. Single tickets to the Scherr Forum are available by calling Ticketmaster at 805-538-8700 or at the Civic Arts Plaza box office. Visit www.musicaltheatreguild.com or call 818-848-6844 for complete schedule and venue information.

 

Spotlight

Los Angeles Drama Critics Circle Announces Winners
March 19, 2012…Los Angeles… The Los Angeles Drama Critics Circle has announced the winners and special awards for excellence in Los Angeles and Orange County theatre for the year 2011.  The 43rd Annual Los Angeles Drama Critics Circle Awards ceremony took place Monday, March 19 at A Noise Within in Pasadena, and was co-hosted by Jason Graae and Lesli Margherita.

The award recipients for the 2011 Los Angeles Drama Critics Circle Awards are as follows:

Production
· Margo Veil, The Odyssey Theatre Ensemble and Evidence Room, Odyssey Theatre
· Small Engine Repair, Rogue Machine, Theatre/Theater

McCulloh Award for Revival
· A Raisin in the Sun, Ebony Repertory Theatre, Nate Holden Performing Arts Center
· Cabaret, Reprise Theatre Company, Freud Playhouse
· The Crucible, Theatre Banshee

Direction
· Andrew Block, Small Engine Repair, Rogue Machine at Theatre/Theater
· Sean Branney, The Crucible, Theatre Banshee
· Bart DeLorenzo, Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre


Writing
· David Harrower, Blackbird, Rogue Machine at Theatre/Theater
· John Pollono, Small Engine Repair, Rogue Machine at Theatre/Theater

Writing (Adaptation)
· Dakin Matthews, The Capulets & the Montagues, Andak Stage Company at NewPlace Studio Theatre

Music Direction
· Gerald Sternbach, The Robber Bridegroom, International City Theatre
· Mike Wilkins, Jerry Springer: The Opera, Chance Theater

Choreography
· Andy Blankenbuehler, Bring It On: The Musical, Center Theatre Group at the Ahmanson Theatre

Musical Score
· Mark Nutter, Re-Animator: The Musical, Steve Allen Theater
Lead Performance
· Sam Anderson, Blackbird, Rogue Machine at Theatre/Theater
· Anne Gee Byrd, All My Sons, Matrix Theatre
· L. Scott Caldwell, A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Edi Gathegi, Superior Donuts, Geffen Playhouse
· Lisa O’Hare, Cabaret, Reprise Theatre Company at Freud Playhouse

Featured Performance
· Anne Gee Byrd, I Never Sang for My Father, The New American Theatre at the McCadden Theatre
· Dermot Crowley, The Cripple of Inishmaan, Center Theatre Group and Druid and Atlantic Theater Company at the Kirk Douglas Theatre
· Deidrie Henry, A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Casey Kramer, Dolly West’s Kitchen, Theatre Banshee

Ensemble Performance
· A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre

Solo Performance
· Tom Dugan, Nazi Hunter Simon Wiesenthal, Theatre 40 at the Reuben Cordova Theatre
· Charlayne Woodard, The Night Watcher, Center Theatre Group at the Kirk Douglas Theatre


Set Design
· Richard Hoover, House of the Rising Son, Ensemble Studio Theatre—LA at the Atwater Village Theatre

Lighting Design
· Paule Constable, Les Misérables, Center Theatre Group at the Ahmanson Theatre
· Jeremy Pivnick, House of the Rising Son, Ensemble Studio Theatre—LA at the Atwater Village Theatre

Costume Design
· Philippe Guillotel, Iris, Cirque du Soleil at Kodak Theatre

Sound Design
· John Zalewski, Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre

Specialty
· Eric Anderson (fight choreography), Gospel According to First Squad, The Los Angeles Theatre Ensemble at The Powerhouse Theatre
· John Boesche (projection design), Radiance: The Passion of Marie Curie, Geffen Playhouse
· Tony Doublin, John Naulin, John Buechler, Tom Devlin, & Greg McDougall (special effects), Re-Animator: The Musical, Steve Allen Theater
· Shana Carroll, Boris Verkhovsky, Pierre Masse (acrobatic performance design), Iris, Cirque du Soleil at Kodak Theatre
Unique Theatrical Event
· Standing on Ceremony, Joan Stein and Stuart Ross in association with the L.A. Gay & Lesbian Center’s Lily Tomlin/Jane Wagner Cultural Arts Center at The Renberg Theatre

Special Awards
The Ted Schmitt Award for the world premiere of an outstanding new play was awarded to David Wiener for Extraordinary Chambers. The award was accompanied by an offer to publish by Samuel French, Inc.
The Polly Warfield Award for an excellent season in a small to mid-size theater was awarded to Rogue Machine. The award was accompanied by an honorarium, funded by the Nederlander Organization.
The Bob Z award for career achievement in set design was awarded to Kurt Boetcher.
The Angstrom Award for career achievement in lighting design was awarded to Lap Chi Chu. The award was accompanied by an honorarium, funded by Angstrom Lighting.
The Margaret Harford Award for sustained excellence in theater was awarded to the Odyssey Theatre.  The award was accompanied by an honorarium, funded by contributions from the theatrical community
The Joel Hirschhorn Award for outstanding achievement in musical theatre was awarded to Lee Martino.  The award was accompanied by an honorarium, funded by an anonymous donor.
The Milton Katselas Award for career or special achievement in direction was awarded to Matt Shakman. The award was accompanied by an honorarium, funded by The Katselas Theatre Company.
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A Noise Within (ANW), led by Founders/Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, is the only year-round classical repertory company in Southern California and one of only a handful in the entire country dedicated solely to producing classical dramatic literature in the repertory tradition of rotating productions with a resident company of professional artists.  It has been lauded by critics as a “premiere classical theatre company,” and an "outstanding ensemble" whose "vibrantly theatrical" "brilliant productions" are "freshly imagined," "exceptional," "invigorating," "riveting," "brilliantly atmospheric," “inspired,” and “masterfully crafted.”  Founded 20 years ago, ANW quickly established itself as one of the region’s key theatre companies, attracting fiercely loyal audiences and consistently high praise from the media for its productions and as a key force in arts education.

The Los Angeles Drama Critics Circle was founded in 1969.  It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2011 voting members of the LADCC consisted of:  F. Kathleen Foley (L.A. Times), Shirle Gottlieb (Gazette Newspapers, StageHappenings.com), Hoyt Hilsman (Back Stage, The Huffington Post), Mayank Keshaviah (L.A. Weekly), Amy Lyons (Back Stage, L.A. Weekly), Dany Margolies (Back Stage), Terry Morgan (Variety), Steven Leigh Morris (L.A. Weekly), David C. Nichols (L.A. Times, Back Stage), Sharon Perlmutter (TalkinBroadway.com), Melinda Schupmann (Back Stage, ShowMag.com), Madeleine Shaner (Park La Brea News/Beverly Press, Back Stage), Les Spindle (Back Stage), Bob Verini (Variety), and Neal Weaver (Back Stage).  Joining for 2012 is Pauline Adamek (L.A. Weekly).

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