Showmag.com

  • Increase font size
  • Default font size
  • Decrease font size

Jack and the Beanstalk

E-mail Print

Suppose a giant lived in a castle, located in a cloud. Further, what if that giant had plenty of food, but the people in the town below had had little to eat? Could the two "factions" somehow work out an equitable agreement? This is the question that is begged in the Storybook Theatre of Los Angeles' delightfully revisionist staging of Jack and the Beanstalk, continuing through February 26, in Hollywood (near Universal City).

This Beanstalk is a frolicking, interactive musical aimed at young children (with occasional shout-outs for kids of all ages to enjoy). While there are no big folk fatally falling from high-flying plant fiber in this melodic iteration of the old fairytale, there is plenty of climbing, tumbling, running, and funning here.

At one-hour in length - including a short intermission - Beanstalk delivers a half dozen tunes, each equal in quality to anything we might witness on Sesame Street.The opening number, "Five Magic Beans," sets the pace (and plants the seeds) for the fast moving sixty-minute musical. A bag of beans wind up being given to a child in the audience. Children are invited on to the stage to play various supporting roles, and everyone, of course, is called on to sing.

Lloyd J. Schwartz scripted and put to lyric this hoary tale, as well as directing it. It's as if new life has been breathed into an old body. Composed by Ben Lanzarone and choreographed by Nikki D'Amico, Beanstalk has the energy of a starburst--four starbursts, to be exact. They are the quartet of performers who constitute the uber-pleasing ensemble in this unique Beanstalk.

No players work harder than the dedicated actors of children's theater. This extraordinary troupe exemplifies this truth, setting the bar most high. Melanie Wahla as Puck (alternating with Caitlin Gallogly), Jason Galloway as Jack (alternating with Adam Conger), Barbara Mallory Schwartz as Jack's mother, and Anthony Gruppuso as Giant all give portrayals that exude joy and élan.

"Jack and the Beanstalk" is a tall theatrical order. Storybook Theatre of Los Angeles takes that order and towers in its achievement. The show plays at 1 p.m. Saturdays and continues through February 26 at Theatre West--3333Cahuenga Boulevard, Hollywood. It is also available for birthday party bookings, school field trips, and other occasions and celebrations. For reservations, dial (818) 761 - 2203. For more information, visit www.theatrewest.org.

 

Spotlight

Los Angeles Drama Critics Circle Announces Winners
March 19, 2012…Los Angeles… The Los Angeles Drama Critics Circle has announced the winners and special awards for excellence in Los Angeles and Orange County theatre for the year 2011.  The 43rd Annual Los Angeles Drama Critics Circle Awards ceremony took place Monday, March 19 at A Noise Within in Pasadena, and was co-hosted by Jason Graae and Lesli Margherita.

The award recipients for the 2011 Los Angeles Drama Critics Circle Awards are as follows:

Production
· Margo Veil, The Odyssey Theatre Ensemble and Evidence Room, Odyssey Theatre
· Small Engine Repair, Rogue Machine, Theatre/Theater

McCulloh Award for Revival
· A Raisin in the Sun, Ebony Repertory Theatre, Nate Holden Performing Arts Center
· Cabaret, Reprise Theatre Company, Freud Playhouse
· The Crucible, Theatre Banshee

Direction
· Andrew Block, Small Engine Repair, Rogue Machine at Theatre/Theater
· Sean Branney, The Crucible, Theatre Banshee
· Bart DeLorenzo, Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre


Writing
· David Harrower, Blackbird, Rogue Machine at Theatre/Theater
· John Pollono, Small Engine Repair, Rogue Machine at Theatre/Theater

Writing (Adaptation)
· Dakin Matthews, The Capulets & the Montagues, Andak Stage Company at NewPlace Studio Theatre

Music Direction
· Gerald Sternbach, The Robber Bridegroom, International City Theatre
· Mike Wilkins, Jerry Springer: The Opera, Chance Theater

Choreography
· Andy Blankenbuehler, Bring It On: The Musical, Center Theatre Group at the Ahmanson Theatre

Musical Score
· Mark Nutter, Re-Animator: The Musical, Steve Allen Theater
Lead Performance
· Sam Anderson, Blackbird, Rogue Machine at Theatre/Theater
· Anne Gee Byrd, All My Sons, Matrix Theatre
· L. Scott Caldwell, A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Edi Gathegi, Superior Donuts, Geffen Playhouse
· Lisa O’Hare, Cabaret, Reprise Theatre Company at Freud Playhouse

Featured Performance
· Anne Gee Byrd, I Never Sang for My Father, The New American Theatre at the McCadden Theatre
· Dermot Crowley, The Cripple of Inishmaan, Center Theatre Group and Druid and Atlantic Theater Company at the Kirk Douglas Theatre
· Deidrie Henry, A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Casey Kramer, Dolly West’s Kitchen, Theatre Banshee

Ensemble Performance
· A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre

Solo Performance
· Tom Dugan, Nazi Hunter Simon Wiesenthal, Theatre 40 at the Reuben Cordova Theatre
· Charlayne Woodard, The Night Watcher, Center Theatre Group at the Kirk Douglas Theatre


Set Design
· Richard Hoover, House of the Rising Son, Ensemble Studio Theatre—LA at the Atwater Village Theatre

Lighting Design
· Paule Constable, Les Misérables, Center Theatre Group at the Ahmanson Theatre
· Jeremy Pivnick, House of the Rising Son, Ensemble Studio Theatre—LA at the Atwater Village Theatre

Costume Design
· Philippe Guillotel, Iris, Cirque du Soleil at Kodak Theatre

Sound Design
· John Zalewski, Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre

Specialty
· Eric Anderson (fight choreography), Gospel According to First Squad, The Los Angeles Theatre Ensemble at The Powerhouse Theatre
· John Boesche (projection design), Radiance: The Passion of Marie Curie, Geffen Playhouse
· Tony Doublin, John Naulin, John Buechler, Tom Devlin, & Greg McDougall (special effects), Re-Animator: The Musical, Steve Allen Theater
· Shana Carroll, Boris Verkhovsky, Pierre Masse (acrobatic performance design), Iris, Cirque du Soleil at Kodak Theatre
Unique Theatrical Event
· Standing on Ceremony, Joan Stein and Stuart Ross in association with the L.A. Gay & Lesbian Center’s Lily Tomlin/Jane Wagner Cultural Arts Center at The Renberg Theatre

Special Awards
The Ted Schmitt Award for the world premiere of an outstanding new play was awarded to David Wiener for Extraordinary Chambers. The award was accompanied by an offer to publish by Samuel French, Inc.
The Polly Warfield Award for an excellent season in a small to mid-size theater was awarded to Rogue Machine. The award was accompanied by an honorarium, funded by the Nederlander Organization.
The Bob Z award for career achievement in set design was awarded to Kurt Boetcher.
The Angstrom Award for career achievement in lighting design was awarded to Lap Chi Chu. The award was accompanied by an honorarium, funded by Angstrom Lighting.
The Margaret Harford Award for sustained excellence in theater was awarded to the Odyssey Theatre.  The award was accompanied by an honorarium, funded by contributions from the theatrical community
The Joel Hirschhorn Award for outstanding achievement in musical theatre was awarded to Lee Martino.  The award was accompanied by an honorarium, funded by an anonymous donor.
The Milton Katselas Award for career or special achievement in direction was awarded to Matt Shakman. The award was accompanied by an honorarium, funded by The Katselas Theatre Company.
#    #    #

A Noise Within (ANW), led by Founders/Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, is the only year-round classical repertory company in Southern California and one of only a handful in the entire country dedicated solely to producing classical dramatic literature in the repertory tradition of rotating productions with a resident company of professional artists.  It has been lauded by critics as a “premiere classical theatre company,” and an "outstanding ensemble" whose "vibrantly theatrical" "brilliant productions" are "freshly imagined," "exceptional," "invigorating," "riveting," "brilliantly atmospheric," “inspired,” and “masterfully crafted.”  Founded 20 years ago, ANW quickly established itself as one of the region’s key theatre companies, attracting fiercely loyal audiences and consistently high praise from the media for its productions and as a key force in arts education.

The Los Angeles Drama Critics Circle was founded in 1969.  It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2011 voting members of the LADCC consisted of:  F. Kathleen Foley (L.A. Times), Shirle Gottlieb (Gazette Newspapers, StageHappenings.com), Hoyt Hilsman (Back Stage, The Huffington Post), Mayank Keshaviah (L.A. Weekly), Amy Lyons (Back Stage, L.A. Weekly), Dany Margolies (Back Stage), Terry Morgan (Variety), Steven Leigh Morris (L.A. Weekly), David C. Nichols (L.A. Times, Back Stage), Sharon Perlmutter (TalkinBroadway.com), Melinda Schupmann (Back Stage, ShowMag.com), Madeleine Shaner (Park La Brea News/Beverly Press, Back Stage), Les Spindle (Back Stage), Bob Verini (Variety), and Neal Weaver (Back Stage).  Joining for 2012 is Pauline Adamek (L.A. Weekly).

#     #     #
DEMAND PR
David Elzer Marketing and Public Relations
Phone: 818/508-1754
Cell: 818/516-7931
 
Charles Dillingham Joins Pasadena Playhouse

 

Read more...
 
Actors Co-op Renames Crossley Terrace Theatre

Read more...