Showmag.com

  • Increase font size
  • Default font size
  • Decrease font size

Nevermore

E-mail Print

'Take thy beak from out my heart,
And take thy form from off my door!'
Quoth the raven, `Nevermore.'

The famed, horror writer Edgar Allan Poe decides to visit his childhood friend who is selling the family home. There are a lot of memories in the massive mansion where the two and Monty's sister Lenore (Chloe White) have shared. Edgar is welcomed by the crusty groundskeeper Dudley (William Knight). He tells Edgar that he believes Lenore is dead. Even though she sends Monty postcards from her trips overseas, they always arrive two to three months late. So, no one really knows where Lenore can truly be found. Edgar always had an overt crush on Monty's little sister. He is taken aback on what Dudley tells him.

Edgar decides to do some investigating beginning with Monty. Monty shoos Edgar away with his nonsensical theories. He offers him a glass of whiskey to calm his nerves. And another and another until the entire bottle is empty. A drink is the last thing the horror writer needs. He's been drinking since he arrived at the mansion and his terrorized by his own paranoia and fear of spiders. Edgar tries, unsuccessfully, to hold on to what little sanity he has but slowly descends into madness. He begins to hallucinate in seeing Lenore and cries out for her.

Director/playwright Matt Ritchey, a graduate of the prestigious NYU's Tisch School of the Arts and the Royal Academy of Dramatic Art in London, seems to have written "Nevermore" as a composite of Poe's work. He mentions one of his Poe's well-known story "The Pit and the Pendulum," and the casually mentioned "The Tale Tell Heart" and weaves in other Poeisms.  Actor Joseph Gilbert does an exciting job as Edgar. He mimics the writer's fumbling nature, his deep insecurity and playful spirit when the need arises.

Briton Green plays his BFF Monty. He adores, or seemingly adores, his best friend, but there's something about him that says conniver. I'm just saying! Once you put all of the elements together; you have a recipe for a Poetic story. There is the creepy gardener,  the secretive best friend, the attorney Catherwood (the hysterical Steve Peterson) who comes in all hours of the night and the missing sister who may or may not be dead. Whiskey, anyone? Preferably, in a tall hi-ball glass. Now we see that Poe's attempt of liquid courage is understandable.

What makes this wonderful play work so smoothly and is always on point are the characters and the marvelous writing. Ritchey's writing flows without missing any beats. How refreshing! Even though he's only on stage for a few moments, Steve Peterson is memorable as Catherwood the attorney. A lanky, intelligent man spewing out savory jokes and righteous legalese. The best part is how the focus is on Lenore whose only appearance is a self portrait above the fireplace. At first glance, Poe becomes instantly smitten and almost loses the power of  speech. Her beautiful yet haunting appearance sets the tone of the play.

Richey has the touch of putting our fears out in the open and see what the hell happens. If you want to the take the experience home, you can buy the soundtrack at the theater written by Ritchy and Patrick Emswiler. It's the last song "TellTaleFinale" that is both haunting and infectious. Anyone listening will definitely be transported back to that menacing mansion and absorb Poe's feelings --both imagined and real.

"Nevermore" runs Friday and Saturdays at 8 p.m., and Sundays at 2 p.m. until Saturday, February 5 at The El Centro Theatre located at 804 N. El Centro in Los Angeles. Reserve online at www.plays411.com/nevermore or call (323) 960-1055.

 

Spotlight

Los Angeles Drama Critics Circle Announces Winners
March 19, 2012…Los Angeles… The Los Angeles Drama Critics Circle has announced the winners and special awards for excellence in Los Angeles and Orange County theatre for the year 2011.  The 43rd Annual Los Angeles Drama Critics Circle Awards ceremony took place Monday, March 19 at A Noise Within in Pasadena, and was co-hosted by Jason Graae and Lesli Margherita.

The award recipients for the 2011 Los Angeles Drama Critics Circle Awards are as follows:

Production
· Margo Veil, The Odyssey Theatre Ensemble and Evidence Room, Odyssey Theatre
· Small Engine Repair, Rogue Machine, Theatre/Theater

McCulloh Award for Revival
· A Raisin in the Sun, Ebony Repertory Theatre, Nate Holden Performing Arts Center
· Cabaret, Reprise Theatre Company, Freud Playhouse
· The Crucible, Theatre Banshee

Direction
· Andrew Block, Small Engine Repair, Rogue Machine at Theatre/Theater
· Sean Branney, The Crucible, Theatre Banshee
· Bart DeLorenzo, Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre


Writing
· David Harrower, Blackbird, Rogue Machine at Theatre/Theater
· John Pollono, Small Engine Repair, Rogue Machine at Theatre/Theater

Writing (Adaptation)
· Dakin Matthews, The Capulets & the Montagues, Andak Stage Company at NewPlace Studio Theatre

Music Direction
· Gerald Sternbach, The Robber Bridegroom, International City Theatre
· Mike Wilkins, Jerry Springer: The Opera, Chance Theater

Choreography
· Andy Blankenbuehler, Bring It On: The Musical, Center Theatre Group at the Ahmanson Theatre

Musical Score
· Mark Nutter, Re-Animator: The Musical, Steve Allen Theater
Lead Performance
· Sam Anderson, Blackbird, Rogue Machine at Theatre/Theater
· Anne Gee Byrd, All My Sons, Matrix Theatre
· L. Scott Caldwell, A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Edi Gathegi, Superior Donuts, Geffen Playhouse
· Lisa O’Hare, Cabaret, Reprise Theatre Company at Freud Playhouse

Featured Performance
· Anne Gee Byrd, I Never Sang for My Father, The New American Theatre at the McCadden Theatre
· Dermot Crowley, The Cripple of Inishmaan, Center Theatre Group and Druid and Atlantic Theater Company at the Kirk Douglas Theatre
· Deidrie Henry, A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Casey Kramer, Dolly West’s Kitchen, Theatre Banshee

Ensemble Performance
· A Raisin in the Sun, Ebony Repertory Theatre at the Nate Holden Performing Arts Center
· Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre

Solo Performance
· Tom Dugan, Nazi Hunter Simon Wiesenthal, Theatre 40 at the Reuben Cordova Theatre
· Charlayne Woodard, The Night Watcher, Center Theatre Group at the Kirk Douglas Theatre


Set Design
· Richard Hoover, House of the Rising Son, Ensemble Studio Theatre—LA at the Atwater Village Theatre

Lighting Design
· Paule Constable, Les Misérables, Center Theatre Group at the Ahmanson Theatre
· Jeremy Pivnick, House of the Rising Son, Ensemble Studio Theatre—LA at the Atwater Village Theatre

Costume Design
· Philippe Guillotel, Iris, Cirque du Soleil at Kodak Theatre

Sound Design
· John Zalewski, Margo Veil, The Odyssey Theatre Ensemble and Evidence Room at the Odyssey Theatre

Specialty
· Eric Anderson (fight choreography), Gospel According to First Squad, The Los Angeles Theatre Ensemble at The Powerhouse Theatre
· John Boesche (projection design), Radiance: The Passion of Marie Curie, Geffen Playhouse
· Tony Doublin, John Naulin, John Buechler, Tom Devlin, & Greg McDougall (special effects), Re-Animator: The Musical, Steve Allen Theater
· Shana Carroll, Boris Verkhovsky, Pierre Masse (acrobatic performance design), Iris, Cirque du Soleil at Kodak Theatre
Unique Theatrical Event
· Standing on Ceremony, Joan Stein and Stuart Ross in association with the L.A. Gay & Lesbian Center’s Lily Tomlin/Jane Wagner Cultural Arts Center at The Renberg Theatre

Special Awards
The Ted Schmitt Award for the world premiere of an outstanding new play was awarded to David Wiener for Extraordinary Chambers. The award was accompanied by an offer to publish by Samuel French, Inc.
The Polly Warfield Award for an excellent season in a small to mid-size theater was awarded to Rogue Machine. The award was accompanied by an honorarium, funded by the Nederlander Organization.
The Bob Z award for career achievement in set design was awarded to Kurt Boetcher.
The Angstrom Award for career achievement in lighting design was awarded to Lap Chi Chu. The award was accompanied by an honorarium, funded by Angstrom Lighting.
The Margaret Harford Award for sustained excellence in theater was awarded to the Odyssey Theatre.  The award was accompanied by an honorarium, funded by contributions from the theatrical community
The Joel Hirschhorn Award for outstanding achievement in musical theatre was awarded to Lee Martino.  The award was accompanied by an honorarium, funded by an anonymous donor.
The Milton Katselas Award for career or special achievement in direction was awarded to Matt Shakman. The award was accompanied by an honorarium, funded by The Katselas Theatre Company.
#    #    #

A Noise Within (ANW), led by Founders/Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, is the only year-round classical repertory company in Southern California and one of only a handful in the entire country dedicated solely to producing classical dramatic literature in the repertory tradition of rotating productions with a resident company of professional artists.  It has been lauded by critics as a “premiere classical theatre company,” and an "outstanding ensemble" whose "vibrantly theatrical" "brilliant productions" are "freshly imagined," "exceptional," "invigorating," "riveting," "brilliantly atmospheric," “inspired,” and “masterfully crafted.”  Founded 20 years ago, ANW quickly established itself as one of the region’s key theatre companies, attracting fiercely loyal audiences and consistently high praise from the media for its productions and as a key force in arts education.

The Los Angeles Drama Critics Circle was founded in 1969.  It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2011 voting members of the LADCC consisted of:  F. Kathleen Foley (L.A. Times), Shirle Gottlieb (Gazette Newspapers, StageHappenings.com), Hoyt Hilsman (Back Stage, The Huffington Post), Mayank Keshaviah (L.A. Weekly), Amy Lyons (Back Stage, L.A. Weekly), Dany Margolies (Back Stage), Terry Morgan (Variety), Steven Leigh Morris (L.A. Weekly), David C. Nichols (L.A. Times, Back Stage), Sharon Perlmutter (TalkinBroadway.com), Melinda Schupmann (Back Stage, ShowMag.com), Madeleine Shaner (Park La Brea News/Beverly Press, Back Stage), Les Spindle (Back Stage), Bob Verini (Variety), and Neal Weaver (Back Stage).  Joining for 2012 is Pauline Adamek (L.A. Weekly).

#     #     #
DEMAND PR
David Elzer Marketing and Public Relations
Phone: 818/508-1754
Cell: 818/516-7931
 
Charles Dillingham Joins Pasadena Playhouse

 

Read more...
 
Actors Co-op Renames Crossley Terrace Theatre

Read more...